Dissolving All Distance In A Single Sonnet

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Dissolving All Distance In A Single Sonnet

From inside, I view, from behind, your body

On the balcony, your look enwrapped by city-span,
the rising CN Tower lights coveted by Brooklyn eyes.
We understand; my room and I invite you in:

I twist myself to tilt your sight, and spill my head across the ledge
and onto sky; then begins the body press, the lips to neck. Citizens within
our borders wish to mix; immigration laws do not exist

Between our kiss, or in my bed. Among the threading
in my sheets, the strands you leave are all I count. They recount
my fingers weaving to your head, and how I watched it facing

Out, in poignant glance. That locus, under microscope, could explode
to where, with such device, you search for me
upon the slide, scrutinize, then conclude: both man and place reciprocate.

Toronto wants you. So do I.

Copyright © by Kevan Copeland

La notte

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La notte

Love’s interior, cruelly dimmed, appears
in reflections. Vivisection won’t show
emotional artifice or its tiers;
skyscrapers steel up from such pathos.

A sterile Milan, within dilettantes,
breeds ennui in a pair. Their forms divorce
among the revelling rich: without want.

Like rivalling youths aborting their force,
the brief freedom streak of a skyrocket
dissolves. Above idling idols, the sky
fills with colour from a single silhouette,

Then the substance of it. Morning light spies
two cores at opposite ends of an eyesight—
denuded by dispassionate white: the night.

Copyright © by Kevan Copeland

Richard In The Orchard

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Richard In The Orchard

Author: he has slipped
a manipulation of the mind; mine.

Past rows that glow, he walks
where abstracts contract and harden
into facts—their magic
more exacting than this sifting shape; the fantastic
now practical.

Chernobyl harvests: inedible, they stir
regard—carpenter or god,
engineer of clear parts,
their maker appears.

Words on interiors cannot be
seen or shared;
images are louder. In these trees—
here, is power.

And you, looking
back at my branch, view
Impressionist reds, ripening
notions: disnebulous rubella,
their vermilion skins value

yielding their paints
in waves of rosacea.

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.

Interview with an Immortal

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Interview with an Immortal

I don’t live the finite life, but life revived
within each mind. I’m not a mind, like the kind
I entertain; but when we meet, we share
a brain, where I’m alive, but not contained.

My planet is an active mind, aroused
through time; an ageless host, I know, but note:
parasites don’t enrich a life; I give
back what time invests. Though I have no flesh,

I have a form, and a depth; I just need
a being to give me being. When it leaves,

My end is not a death; just a break between
the lives that give me mine. From a line
my life extends, pulled by needle through each head,
and hurts: Sublime—suturing immortal life.

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.

The Red Desert

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The Red Desert
*after Antonioni

There is a mind inside an island. By the brim

Of her shore, a boy culls from the sand; a ship,
Unmanned, scores the gulled coast
While cormorants repose on the glittering rose.

From the ocean, Poseidon is goading the shore.
Drops spray the boy’s back. He is shelled
To attack; his searching turns in; becomes

An internal thing. Friulian lyrics
Smooth crests from within. Who sings
Dialectic, in dialect unseen?

It is the island; it is everything.

Copyright © by Kevan Copeland

This poem appeared previously on Cosmoetica under the pseudonym Anthony Zanetti.

Bright Thoughts From a Rothko, Untitled

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Bright Thoughts From a Rothko, Untitled

I only felt like half today;
I’m too lazy to cogitate
a name.

Every paint is just shade.
Every day a day

Off. Posh galleries pay, anyway,
to do what I shirk.
How their minds work

To explain, to conjure,
to endure:

All that weight which paints store
as colours cohere
their thoughts and their forms.

What is paint for?
I like it flat

As a man on his back.
I can’t help those who can’t see
why I’m great. On break or vacation,

I only stare back. Unrealizing
ideas, I ask:

 

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.

REM Aneurysm

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REM Aneurysm

As a roar of petals cores into sight,
 the cherry bouquet chokes the arciform street;
  a red sea hardens to an amethyst plate.

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.

The Whirlpool

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The Whirlpool

You stare from the wire that cuts sky from brine.
Effeminate desert, you thought it benign;
But inside—I collect corals & spines.

Currents twist as flesh curls to a fist.
Feel the form of my force:
In the core of the vortex, concussion
Is pure—the pressure of poetry
Waves into lines—

Breaks. On the bottom: funnelled
To finish,
Lies your mind.

 

Copyright © by Kevan Copeland

This poem appeared previously on Monsters and Critics and Cosmoetica under the pseudonym Anthony Zanetti.

Dynamite 25

Burning Candles

Dynamite 25

The birthday candle unravels its wax—
unfurling the curve that shatters its graph,
it rockets to Blonde—as man shimmers back.

A core, immortal, wills past—to its pax;
as grain culminates and unwraps from its chaff,
the birthday candle unravels its wax.

Unpinned from the wick, it bolts and unpacks,
as motion unsnaps from a still photograph.
It rockets to Blonde—as man shimmers back.

No breath from a wish can cool its attack;
when each note of song sparks from the staff—
the birthday candle unravels its wax.

Lethal: the drop from the sweat on its back,
its shock vaults through octaves and Richters a laugh;
it rockets to Blonde—as man shimmers back.

A sizzling blue vine writhes through cold blacks;
ecstatic—as ecdysis jettisons half,
the birthday candle unravels its wax;
it rockets to Blonde—as man shimmers back.

Copyright © by Kevan Copeland

This poem appeared previously on Monsters and Critics and Cosmoetica under the pseudonym Anthony Zanetti.

Façade of a Montreal God

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Façade of a Montreal God
photograph of Fascist HQ, Rome

I’ve stabbed a flag into the Fascist
March eye. You make the bullet
cry, you make the nation
sing. A sovereigned head on a coin,
the shallow inks of wings—align
to remind me: I’ve chosen again. In the city,
at the rally, they shout: he is strong,
il est fort. I find myself chanting along;
I can’t abort. Gods trapped
in a head—we are everything except free:
the azurite Italian, the glittering Mussolini—
orating and exhorting—mathematically
operatic—your head suspended
against the word repeating: si si si si

Copyright © by Kevan Copeland

This poem appeared previously on Monsters and Critics and Cosmoetica under the pseudonym Anthony Zanetti.