Richard In The Orchard

orchard1

Richard In The Orchard

Author: he has slipped
a manipulation of the mind; mine.

Past rows that glow, he walks
where abstracts contract and harden
into facts—their magic
more exacting than this sifting shape; the fantastic
now practical.

Chernobyl harvests: inedible, they stir
regard—carpenter or god,
engineer of clear parts,
their maker appears.

Words on interiors cannot be
seen or shared;
images are louder. In these trees—
here, is power.

And you, looking
back at my branch, view
Impressionist reds, ripening
notions: disnebulous rubella,
their vermilion skins value

yielding their paints
in waves of rosacea.

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.

Bright Thoughts From a Rothko, Untitled

rothko

Bright Thoughts From a Rothko, Untitled

I only felt like half today;
I’m too lazy to cogitate
a name.

Every paint is just shade.
Every day a day

Off. Posh galleries pay, anyway,
to do what I shirk.
How their minds work

To explain, to conjure,
to endure:

All that weight which paints store
as colours cohere
their thoughts and their forms.

What is paint for?
I like it flat

As a man on his back.
I can’t help those who can’t see
why I’m great. On break or vacation,

I only stare back. Unrealizing
ideas, I ask:

 

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.