Waiting

Waiting

The ceiling must contemplate spheres 
orbiting my commotion. 
Colleagues and I improvise 
fluent choreography.
Patrons adjudicate; feed me 
currencies I earn. Their appetite 
for deliverance, I serve.

Yet performance doesn’t appease
past authority. Find something real.
As if what I balance were intangible.
Others say: find someone nice.
But I lack credentials to satisfy. 
Sure, I save for building—but can’t buy
guys I deign to like.

Once, after unmasking, I exited
to moonlight in front; someone behind—
heard footsteps accelerate
in pursuit of my tips. His pacing dropped,
but I never stopped a life
of interminable racing—
when I’m not waiting.

Copyright © by Kevan Copeland

Radishwhip

Radishwhip

A froth or a slash?
From a flask,
foaming slaps
taste, splayed
off the tongue.

Sensation is searching
for shores
in the skull. Past flora
flickers a brain,
flashing the pan.

Fahrenheit
sizzling, thirst climbs
to press prickly lips—
gasping for water
in cacti kisses.

Vegetation
is vascular rapture:
sailing on blush. Waving
splinters the grin:
ravishes!

Copyright © by Kevan Copeland

As A Novelist

As A Novelist

I control words coerced into being
more than myself. A concatenation
of pages, books, brains: manipulation
is my expertise. I shape your seeing.

I appease inspiration with my clutch;
whether tomes, music, lives—I have a touch
of kleptomania. Reined in my fist:
the fluidity of a pugilist

Dancing in a pen. Personality
disorders, so my borderlines are kept
writing, as I create reality

Conforming to my vision: great. Except—
buried in my lather of character
is a girl, and I cannot extract her.

Copyright © by Kevan Copeland

Dissolving All Distance In A Single Sonnet

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Dissolving All Distance In A Single Sonnet

From inside, I view, from behind, your body

On the balcony, your look enwrapped by city-span,
the rising CN Tower lights coveted by Brooklyn eyes.
We understand; my room and I invite you in:

I twist myself to tilt your sight, and spill my head across the ledge
and onto sky; then begins the body press, the lips to neck. Citizens within
our borders wish to mix; immigration laws do not exist

Between our kiss, or in my bed. Among the threading
in my sheets, the strands you leave are all I count. They recount
my fingers weaving to your head, and how I watched it facing

Out, in poignant glance. That locus, under microscope, could explode
to where, with such device, you search for me
upon the slide, scrutinize, then conclude: both man and place reciprocate.

Toronto wants you. So do I.

Copyright © by Kevan Copeland

La notte

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La notte

Love’s interior, cruelly dimmed, appears
in reflections. Vivisection won’t show
emotional artifice or its tiers;
skyscrapers steel up from such pathos.

A sterile Milan, within dilettantes,
breeds ennui in a pair. Their forms divorce
among the revelling rich: without want.

Like rivalling youths aborting their force,
the brief freedom streak of a skyrocket
dissolves. Above idling idols, the sky
fills with colour from a single silhouette,

Then the substance of it. Morning light spies
two cores at opposite ends of an eyesight—
denuded by dispassionate white: the night.

Copyright © by Kevan Copeland

Richard In The Orchard

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Richard In The Orchard

Author: he has slipped
a manipulation of the mind; mine.

Past rows that glow, he walks
where abstracts contract and harden
into facts—their magic
more exacting than this sifting shape; the fantastic
now practical.

Chernobyl harvests: inedible, they stir
regard—carpenter or god,
engineer of clear parts,
their maker appears.

Words on interiors cannot be
seen or shared;
images are louder. In these trees—
here, is power.

And you, looking
back at my branch, view
Impressionist reds, ripening
notions: disnebulous rubella,
their vermilion skins value

yielding their paints
in waves of rosacea.

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.

Interview with an Immortal

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Interview with an Immortal

I don’t live the finite life, but life revived
within each mind. I’m not a mind, like the kind
I entertain; but when we meet, we share
a brain, where I’m alive, but not contained.

My planet is an active mind, aroused
through time; an ageless host, I know, but note:
parasites don’t enrich a life; I give
back what time invests. Though I have no flesh,

I have a form, and a depth; I just need
a being to give me being. When it leaves,

My end is not a death; just a break between
the lives that give me mine. From a line
my life extends, pulled by needle through each head,
and hurts: Sublime—suturing immortal life.

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.

The Red Desert

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The Red Desert
*after Antonioni

There is a mind inside an island. By the brim

Of her shore, a boy culls from the sand; a ship,
Unmanned, scores the gulled coast
While cormorants repose on the glittering rose.

From the ocean, Poseidon is goading the shore.
Drops spray the boy’s back. He is shelled
To attack; his searching turns in; becomes

An internal thing. Friulian lyrics
Smooth crests from within. Who sings
Dialectic, in dialect unseen?

It is the island; it is everything.

Copyright © by Kevan Copeland

This poem appeared previously on Cosmoetica under the pseudonym Anthony Zanetti.

Bright Thoughts From a Rothko, Untitled

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Bright Thoughts From a Rothko, Untitled

I only felt like half today;
I’m too lazy to cogitate
a name.

Every paint is just shade.
Every day a day

Off. Posh galleries pay, anyway,
to do what I shirk.
How their minds work

To explain, to conjure,
to endure:

All that weight which paints store
as colours cohere
their thoughts and their forms.

What is paint for?
I like it flat

As a man on his back.
I can’t help those who can’t see
why I’m great. On break or vacation,

I only stare back. Unrealizing
ideas, I ask:

 

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.

REM Aneurysm

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REM Aneurysm

As a roar of petals cores into sight,
 the cherry bouquet chokes the arciform street;
  a red sea hardens to an amethyst plate.

Copyright © by Kevan Copeland

This poem appeared previously on the Very Nice, Very Nice blog under the pseudonym Anthony Zanetti.